

Otto Muhl
Mama and Papa 6
UNATTRACTIVE was originally developed as a collaborative exhibition project exploring the sin of gluttony through references to Dante’s Inferno and the tension between desire, excess and discomfort. Through artworks positioned between attraction and repulsion, the exhibition investigated disgust as an aesthetic device capable of generating fascination.
Building upon the original project, my thesis further developed its exhibition logic, expanding it beyond a fixed location into an adaptive travelling system.
SALA DELLE CARIATIDI
SPATIAL PERCEPTION

Interactive axonometry — lighting
Lighting played a central role in constructing the emotional experience of the exhibition by creating
scenographic light scenes.
ADAPTIVE EXHIBITION
The original exhibition was conceived for a single location. My thesis transformed it into an adaptive travelling system capable of responding to different spatial conditions while preserving its narrative identity.
Through progressive exhibition phases, the system expands according to scale and architectural context rather than replicating a fixed layout.
MODULAR TOOLKIT
The original exhibition elements were redesigned as a lightweight modular toolkit optimized for transportation, assembly and spatial flexibility.
panels,
totems,
supports,
become independent components that can be reconfigured across different exhibition contexts.

Toolkit animation — system behaviour
3D animation created in Blender to explore how individual components shift, combine and adapt across different configurations.
SYSTEM LOGIC

Panel configurations — modular system
Different panel combinations generating multiple spatial arrangements for the exhibition structure.



Site application — Chiesetta della Misericordia
3D reconstruction of the location developed in Blender to test the exhibition system within a real architectural context.
THESIS ARCHIVE
A selection of scanned thesis pages documenting research, technical development and the evolution of the travelling exhibition framework.



PROTOTYPE
Used as a spatial testing device, the model allowed the exhibition to be explored beyond drawings and renders, verifying scale, composition and visual relationships between elements.
1:50 study model
Transparent acetate walls with engraved details and white/chrome cardboard exhibition components.











